
Not Rated
"This film depicts modern American products and U.S. economic development through the U.S. national exhibit at the 1966 trade fair in Addis Ababa, Ehtiopia, which was attended by 360,000 Africans (including children from the Haile Selassie I Day School, who toured the exhibition as part of a classroom assignment)" (US National Archives). Directed by renowned cinematographer, Stevan Larner.
"This film depicts modern American products and U.S. economic development through the U.S. national exhibit at the 1966 trade fair in Addis Ababa, Ehtiopia, which was attended by 360,000 Africans (including children from the Haile Selassie I Day School, who toured the exhibition as part of a classroom assignment)" (US National Archives). Directed by renowned cinematographer, Stevan Larner.
The film is rated 0 due to the absence of specific plot details, character arcs, or thematic content, which precludes an objective assessment of political bias. This rating reflects a lack of discernible ideological leanings based solely on the provided title and director.
Based on the lack of specific details provided for the movie 'Africa Goes to the Fair,' the evaluation defaults to a neutral assessment. There is no information to indicate explicit diversity in casting or particular framing of traditional identities or DEI themes within the narrative.
This documentary film explores the African presence at the 1992 Seville World's Fair. Its focus is on cultural exhibition and event coverage, and it does not feature any identifiable LGBTQ+ characters or themes within its scope.
The movie does not contain any action or adventure elements.
As a 1966 documentary film, "Africa Goes to the Fair" does not feature fictional characters with pre-established canonical genders from source material, nor does it portray specific historical figures whose gender could be altered. Therefore, no gender swaps are present.
As a 1966 documentary film, "Africa Goes to the Fair" does not feature fictional characters with pre-established canonical races. The film depicts real people and events, thus the concept of a race swap does not apply.