Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer they had lined up gets badly beaten by Mickey, who comes into the ...
Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer they had lined up gets badly beaten by Mickey, who comes into the ...
The film is a stylistic crime caper focused on the chaotic and often absurd nature of the criminal underworld, driven by individual greed and double-crossing, without promoting or critiquing any specific political ideology or offering an ideological solution.
The movie features some visible diversity within its ensemble cast, reflecting the urban setting, but does not engage in explicit race or gender swaps of traditionally white roles. Its narrative primarily focuses on criminal exploits and character interactions, without offering a critical portrayal of traditional identities or making DEI themes central to its story.
The film features Bullet Tooth Tony, a powerful character whose implied sexuality is present but incidental. It is neither a source of mockery nor affirmation, serving as a minor detail that does not significantly impact the narrative or the character's agency. The film maintains a neutral stance on LGBTQ+ themes.
The movie does not contain any action or adventure elements.
Snatch is an original film with characters created specifically for its narrative. There are no pre-existing source materials, historical figures, or prior adaptations from which characters' genders could have been established and subsequently altered.
Snatch is an original screenplay with no pre-existing source material or historical figures. All characters were created for the film, meaning there is no prior canonical or historical race to be altered.
Combines user and critic ratings from four sources