
Not Rated
A documentary presenting the history of Lublin, one of the oldest cities in Poland. The greatest development of the town occurred in the Middle Ages, when the settlement received city rights and gained regional prestige. The author of the film (Jerzy Gruza) emphasizes the special influence of the Renaissance on the construction in this city and lists the profiles of famous citizens associated with Lublin.
A documentary presenting the history of Lublin, one of the oldest cities in Poland. The greatest development of the town occurred in the Middle Ages, when the settlement received city rights and gained regional prestige. The author of the film (Jerzy Gruza) emphasizes the special influence of the Renaissance on the construction in this city and lists the profiles of famous citizens associated with Lublin.
The film receives a neutral rating of 0 because the complete absence of information regarding its plot, characters, or themes prevents any assessment of political bias. Without content, no ideological stance can be identified.
Based on the limited information provided, which includes only the movie title and director, the film's representation and narrative framing are assessed as neutral regarding diversity, equity, and inclusion elements. No specific details were available to indicate either traditional casting/framing or explicit DEI-driven choices.
Without specific plot details or character information for "Red and Gold," it is not possible to identify any LGBTQ+ characters or themes. Therefore, the film's portrayal of LGBTQ+ elements is rated as N/A, indicating no depiction.
The movie does not contain any action or adventure elements.
Information regarding the film "Red and Gold" (1955) directed by Jerzy Gruza, including its source material or established characters, is not available. Without this context, it is impossible to determine if any gender swaps occurred.
There is no evidence to suggest that "Red and Gold" (1955) is an adaptation of source material with characters of established races that were subsequently changed, nor does it depict historical figures whose race was altered. Therefore, no race swaps are identified.