6.9
Viewer Rating
Combines user and critic ratings from four sources
One Man's War (1982)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.9
Overview
Via the New York Times: "...a dialogue between found objects... the remarkably calm, somewhat banal wartime journals of Ernst Junger, a German writer and army officer living in occupied Paris in World War II, and newsreel footage of Paris as it really was."
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
Via the New York Times: "...a dialogue between found objects... the remarkably calm, somewhat banal wartime journals of Ernst Junger, a German writer and army officer living in occupied Paris in World War II, and newsreel footage of Paris as it really was."
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the complexities of historical memory and individual complicity in atrocities through a journalist's investigation, focusing on intellectual and moral engagement rather than explicitly promoting a specific political ideology or solution.
The movie features casting that is largely traditional for its historical setting and character roles, without explicit race or gender swaps of traditionally white roles. Its narrative focuses on historical events and personal drama, and does not explicitly critique traditional identities or center DEI themes.
Secondary
The film implicitly critiques the institutional church's role during Argentina's Dirty War, portraying it as largely complicit or silent in the face of state terror and human rights abuses. The narrative highlights a moral vacuum where religious institutions fail to uphold justice, offering no significant counterbalancing positive portrayal.
The film 'One Man's War' by Edgardo Cozarinsky does not contain any identifiable LGBTQ+ characters or themes. Its narrative primarily explores political intrigue, identity, and memory, without engaging with queer identities or experiences, resulting in no depiction.
The movie does not contain any action or adventure elements.
This film is an original screenplay and not an adaptation of pre-existing material with established characters, nor is it a biopic or reboot. Therefore, no characters exist who were canonically, historically, or widely established as a different gender prior to this film.
This film is an original drama set in 1940s Paris, not an adaptation of a work with pre-established character races or a biopic of a specific historical figure whose race is documented. Therefore, no characters were canonically or historically established as a different race prior to this film.
Viewer Rating Breakdown
User Ratings
7.7
6.0
Critic Ratings
N/A
N/A
More Like This
Traditional
8.2
Napoleon
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
10.0
Faces Nord
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.2
Cyrano de Bergerac
(1990)
Political: Center
Diversity: Low
Leans Traditional
8.6
Forbidden Games
(1952)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Supper
(1992)
Political: Center
Diversity: Low
Leans Traditional
10.0
The Ascent of Mont Blanc
(1907)
Political: Center
Diversity: Low
Leans Traditional
7.8
Mer
(1902)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Passion of Joan of Arc
(1928)
Political: Center
Diversity: Low
Leans Traditional
8.7
The Pianist
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.0
Kitchen with Apartment
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.2
Beau Pere
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.5
Three Colors: Blue
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.0
Antoine & Antoinette
(1947)
Political: Center
Diversity: Low
Leans Traditional
6.9
Happiness Is in the Field
(1995)
Political: Center
Diversity: Low
Leans Traditional
7.8
With a Friend Like Harry...
(2000)
Political: Center
Diversity: Low
Leans Traditional
6.8
Sachs' Disease
(1999)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Piano Teacher
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.1
Bob le Flambeur
(1956)
Political: Center
Diversity: Low
Leans Traditional
7.1
Good Old Daze
(1995)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.6
La Vie en Rose
(2007)
Political: Center
Diversity: Low