Leans Traditional
7.4
Diau Charn
(1958)
Political: Leans Right
Diversity: Moderate
On The Waterfront (1980)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Gao Tianyuan and his wife Zhuo Feng'er live in seclusion in the Tian Shan mountains due to his father's dismissal from officialdom. They go down the mountain to reunite with his father but he is suddenly killed, and Feng'er defects to Tianzheng Sect's leader, Ren Wo weihuai. Devastated, Tianyuan starts a new life under a false identity until he meets Sikong Aoshi and becomes involved in the martial world again. He decides to seek revenge for his father's death and becomes an official, but his impatience leads to a dangerous mistake. Later, he discovers that the real culprit wants to rebel and dominate the martial world, and he teams up with Aoshi to eliminate the threat.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
Gao Tianyuan and his wife Zhuo Feng'er live in seclusion in the Tian Shan mountains due to his father's dismissal from officialdom. They go down the mountain to reunite with his father but he is suddenly killed, and Feng'er defects to Tianzheng Sect's leader, Ren Wo weihuai. Devastated, Tianyuan starts a new life under a false identity until he meets Sikong Aoshi and becomes involved in the martial world again. He decides to seek revenge for his father's death and becomes an official, but his impatience leads to a dangerous mistake. Later, he discovers that the real culprit wants to rebel and dominate the martial world, and he teams up with Aoshi to eliminate the threat.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
While addressing the exploitation of workers, the film's solution champions individual conscience and the act of whistleblowing against a corrupt collective, emphasizing individual responsibility over group loyalty, which aligns with right-leaning individualism.
The film features a cast and narrative that are traditional for its era, focusing on a predominantly white, male working-class environment without explicit efforts towards diversity or critical portrayal of traditional identities.
Secondary
The film portrays Christianity, specifically Catholicism, as a powerful and positive moral force through Father Barry, who courageously fights corruption and inspires moral awakening. The narrative aligns with the church's role in advocating for justice and redemption.
On The Waterfront does not feature any identifiable LGBTQ+ characters or themes. The narrative is centered on labor union struggles and personal morality, with no elements that depict or allude to queer identity or experiences.
The film focuses on male characters involved in union conflicts. The primary female character, Edie Doyle, is a moral catalyst but does not engage in any physical combat. No female characters are depicted participating in or winning close-quarters physical fights against male opponents.
No widely recognized 'On The Waterfront' show from 1980 could be identified. Without specific character and casting information for this particular production, it is not possible to confirm any instances of gender swapping from established source material.
Information regarding a specific 'On The Waterfront' show from 1980 and its casting is not readily available. Without specific casting details for this production, no verifiable instance of a race swap can be identified.
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