Leans Traditional
8.2
Cyrano de Bergerac
(1990)
Political: Center
Diversity: Low
The Siege of Calais (1911)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Historical film set during the Hundred Year War.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Historical film set during the Hundred Year War.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title indicates a historical drama about a specific event, and without further plot or thematic details, there is no basis to infer a deliberate promotion of either left or right-leaning political ideologies. It is presumed to focus on historical events and human drama.
This early 20th-century historical drama, depicting a 14th-century European siege, features traditional casting aligned with its historical setting and production era. The narrative focuses on the historical events and figures without incorporating modern DEI critiques or negative portrayals of traditional identities.
Secondary
The film, set in medieval Europe, portrays the Christian faith of the besieged citizens as a source of resilience and moral fortitude during extreme hardship. The narrative likely affirms Christian virtues through the depiction of suffering, sacrifice, and the eventual act of mercy, aligning with the dignity and compassion often associated with the faith.
Based on available information, 'The Siege of Calais' by Henri Andréani does not feature any identifiable LGBTQ+ characters or themes. Consequently, the film's portrayal of LGBTQ+ elements is rated N/A due to a lack of depiction.
The movie does not contain any action or adventure elements.
This 1911 historical film depicts the real-world Siege of Calais. There is no historical or cinematic record indicating that any established historical figures were portrayed by a different gender than their documented historical gender.
The film depicts the historical Siege of Calais (1346-1347), involving historical figures from medieval England and France, who were historically white. There is no evidence or historical record to suggest that the 1911 film adaptation cast actors of a different race to portray these established historical figures.
More Like This
Leans Traditional
8.9
The Passion of Joan of Arc
(1928)
Political: Center
Diversity: Low
Traditional
8.2
Napoleon
(1927)
Political: Leans Right
Diversity: Low
Center
8.6
Intolerance: Love's Struggle Throughout the Ages
(1916)
Political: Center
Diversity: Low
Leans Traditional
0.0
Les Druides
(1906)
Political: Center
Diversity: Low
Leans Traditional
0.0
Marie Stuart et Rizzio
(1911)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Flea
(1904)
Political: Center
Diversity: Low
Leans Traditional
7.0
Gadar: Ek Prem Katha
(2001)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
Hibiscus Town
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Saving Mr. Banks
(2013)
Political: Center
Diversity: Low
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
The Little Prince
(2015)
Political: Center
Diversity: Low
Leans Traditional
10.0
The Ascent of Mont Blanc
(1907)
Political: Center
Diversity: Low
Leans Traditional
9.5
Marfa the Mayoress
(1910)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Elephant Man
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.6
La Vie en Rose
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.2
Beau Pere
(1981)
Political: Center
Diversity: Low
Traditional
8.5
The King's Speech
(2010)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Mer
(1902)
Political: Center
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low