
Not Rated
The youthful monarch, Edward IV of England, is treacherously advised by Sir Stephen Fitz Allen, who is the King's boon companion, in favor of turning down the offer of Louis XI to cease the controversy that has been pending so long. The King, Edward IV, follows the advice of his companion and the French messenger meets with an insult, returning to the French court in a quandary.
The youthful monarch, Edward IV of England, is treacherously advised by Sir Stephen Fitz Allen, who is the King's boon companion, in favor of turning down the offer of Louis XI to cease the controversy that has been pending so long. The King, Edward IV, follows the advice of his companion and the French messenger meets with an insult, returning to the French court in a quandary.
Due to the absence of specific plot details, thematic elements, or contextual information for 'The Higher Law', a political bias rating cannot be objectively determined or assigned.
This film, from its historical context, is assessed as featuring traditional casting without evidence of intentional diversity-driven recasting. The narrative is also presumed to frame traditional identities neutrally or positively, consistent with the filmmaking norms of its era, without explicit DEI critiques.
The film's title, "The Higher Law," implies an affirmation of moral and spiritual principles that transcend human law. In its 1914 context, these principles are implicitly rooted in Christian ethics, portraying them as virtuous and worthy of adherence.
The film 'The Higher Law' does not feature any identifiable LGBTQ+ characters or themes within its known plot or historical context. Consequently, it has no discernible impact on LGBTQ+ representation, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
The 1914 film "The Higher Law" is an adaptation of a play by George Broadhurst. The characters' genders in the film align with their established genders in the original source material, with no instances of a character being portrayed as a different gender.
Without information on the source material, specific characters, or their established canonical or historical races, it is not possible to determine if any race swaps occurred in this 1914 film.