7.6
Viewer Rating
Combines user and critic ratings from four sources
The Lost Squadron (1932)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.6
Overview
When World War I comes to an end, three pilots find themselves on hard times. They wind up in Hollywood, where they work as stunt fliers for a sadistic director.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
When World War I comes to an end, three pilots find themselves on hard times. They wind up in Hollywood, where they work as stunt fliers for a sadistic director.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film depicts the exploitation of war veterans as stunt pilots by a ruthless studio head, a theme that touches on left-leaning critiques of corporate greed. However, the narrative's resolution is a personal act of violent revenge rather than a call for systemic change or a promotion of specific political ideologies, leading to a neutral rating.
This film, produced in 1932, features traditional casting with a predominantly white and mainstream ensemble. Its narrative maintains a neutral or positive framing of traditional identities, consistent with the cinematic norms of its era.
Secondary
The 1932 film 'The Lost Squadron' does not feature any explicit or implicit LGBTQ+ characters or themes within its narrative. The story primarily centers on the dramatic lives and relationships of stunt pilots in the early days of Hollywood, without addressing queer identity or experiences.
The film focuses on the dramatic lives of male stunt pilots. Female characters are present in supporting roles as love interests or socialites, but they do not participate in any direct physical combat scenes against male opponents.
The Lost Squadron (1932) is an original film and not an adaptation of prior source material or a biopic. All characters were created for this specific production, thus lacking any pre-established canonical or historical gender to be swapped.
The Lost Squadron (1932) is an original film, not an adaptation of existing source material or a biopic. Its characters do not have pre-established racial identities from prior canon or historical records, thus precluding any race swaps.
Viewer Rating Breakdown
User Ratings
6.4
6.3
Critic Ratings
10.0
N/A
More Like This
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.5
Dunkirk
(2017)
Political: Center
Diversity: Low
Leans Traditional
6.6
The Great Lie
(1941)
Political: Center
Diversity: Low
Traditional
8.5
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
The Last Samurai
(2003)
Political: Leans Right
Diversity: Moderate
Traditional
7.1
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Traditional
8.4
Ford v Ferrari
(2019)
Political: Leans Right
Diversity: Low
Traditional
8.8
Saving Private Ryan
(1998)
Political: Leans Right
Diversity: Low
Leans Traditional
9.2
Schindler's List
(1993)
Political: Center
Diversity: Low
Traditional
8.1
Twelve O'Clock High
(1949)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Fury
(2014)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Beau Brummel
(1924)
Political: Center
Diversity: Low
Traditional
8.0
Wings
(1927)
Political: Leans Right
Diversity: Low
Traditional
7.0
Hell's Angels
(1930)
Political: Leans Right
Diversity: Low
Traditional
7.5
Black Hawk Down
(2001)
Political: Leans Right
Diversity: Low
Traditional
6.8
We Were Soldiers
(2002)
Political: Leans Right
Diversity: Low
Traditional
7.3
Patriots Day
(2016)
Political: Leans Right
Diversity: Low