Viewer Rating
Combines user and critic ratings from four sources
A nobleman studying for the priesthood abandons his vocation in 18th Century France when he falls in love with a beautiful, but reluctant, courtesan.
A nobleman studying for the priesthood abandons his vocation in 18th Century France when he falls in love with a beautiful, but reluctant, courtesan.
The film's dominant themes align with progressive values by critiquing social injustice and the rigidity of the legal system, emphasizing empathy for the marginalized and the power of individual redemption against systemic hardship.
This film, produced in 1924, adheres to traditional casting practices, featuring a predominantly white and mainstream cast without any apparent intentional race or gender swaps of established roles. The narrative maintains a neutral or positive portrayal of traditional identities, consistent with the filmmaking conventions of its era, and does not incorporate explicit DEI-driven critiques.
The film, set in 17th-century Christian England, implicitly affirms virtues such as compassion, love, and sacrifice through its sympathetic protagonists. While critiquing social injustice and the cruelty of the aristocracy, the narrative aligns with the dignity and moral framework often associated with Christian values.
The film 'When a Man Loves' does not contain any discernible LGBTQ+ characters or themes within its narrative. The story centers on a heterosexual romance and its associated dramatic conflicts, with no elements related to queer identity.
The movie does not contain any action or adventure elements.
This 1927 film is an adaptation of Victor Hugo's novel "Les Misérables." All major characters, such as Jean Valjean, Javert, and Fantine, retain their original canonical genders from the source material. No instances of a character established as one gender being portrayed as another are present.
The 1927 film "When a Man Loves" is an adaptation of Victor Hugo's "Les Misérables." All major characters, originally depicted as white French individuals in the source material, were portrayed by white actors in the film, aligning with their established race.
Combines user and critic ratings from four sources