Guests at a posh Berlin hotel struggle through worry, scandal, and heartache.
Guests at a posh Berlin hotel struggle through worry, scandal, and heartache.
Grand Hotel explores the universal human condition through individual stories of love, loss, and ambition within a hotel setting. Its focus on personal struggles and existential themes, rather than systemic critiques or political advocacy, results in a neutral rating.
This classic 1932 film features a cast that is entirely traditional for its era, without any intentional diversity-driven casting choices. The narrative focuses on the personal dramas of its characters and does not include any explicit critique of traditional identities or incorporate DEI themes.
The film "Grand Hotel" (1932) does not feature any explicitly identifiable LGBTQ+ characters or themes within its narrative. While some modern interpretations might suggest subtext, there is no direct depiction or overt exploration of queer identity or relationships according to the provided rubric.
The movie does not contain any action or adventure elements.
The 1932 film "Grand Hotel" is a direct adaptation of Vicki Baum's 1929 novel "Menschen im Hotel." All major characters in the film retain the same gender as established in the original source material, with no instances of a character being portrayed as a different gender.
The 1932 film "Grand Hotel" is an adaptation of a 1929 German novel. All major characters, consistent with the source material's setting and origin, are portrayed by actors of the same race as implicitly or explicitly established in the original work. There are no instances of characters being depicted as a different race than their established canon.
Combines user and critic ratings from four sources