The Biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.
The Biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.
The film's central thesis, intertwining a biblical narrative of divine judgment for human sin with the horrors of World War I, champions faith and a return to moral order as the solution to humanity's destructive tendencies, aligning with traditional conservative values.
This 1928 biblical epic features casting and character portrayals that align with traditional filmmaking practices of its time, without intentional diversity-driven casting. The narrative frames traditional identities neutrally or positively, consistent with the historical context of its production.
The film directly adapts the biblical story of Noah's Ark from the Old Testament, portraying God's judgment and Noah's unwavering faith with reverence. The narrative affirms divine power, moral consequences, and the importance of obedience to God's will, aligning with core Christian tenets.
As the film is based on the Hebrew Bible's narrative of Noah's Ark, it implicitly affirms foundational stories and moral teachings that are central to Judaism. The portrayal of divine judgment and the righteous Noah reflects shared theological principles.
The film "Noah's Ark" (1928) is a historical epic that interweaves a biblical story with a World War I romance and drama. There are no discernible LGBTQ+ characters, relationships, or themes present within the narrative, leading to a determination of N/A for its portrayal of LGBTQ+ elements.
The movie does not contain any action or adventure elements.
The 1928 film adapts the biblical story of Noah's Ark, portraying key characters like Noah and his family with their historically established genders. The film's original characters in the parallel modern storyline do not constitute gender swaps of existing canon.
The film adapts the biblical story of Noah's Ark. The source material does not specify the race of its characters, and the 1928 film's casting of white actors does not contradict a previously established racial identity for these figures.
Combines user and critic ratings from four sources