Young, vivacious Billie uses her charms on influential businessman Glenn Abbott in hopes of getting her secret fiancé Gil a diplomatic appointment. Meanwhile, Gil's affections meander to beautiful ingenue Kentucky, Billie's best friend.
Young, vivacious Billie uses her charms on influential businessman Glenn Abbott in hopes of getting her secret fiancé Gil a diplomatic appointment. Meanwhile, Gil's affections meander to beautiful ingenue Kentucky, Billie's best friend.
The film functions primarily as a social commentary on the changing roles and freedoms of women during the flapper era, exploring individual choices and their consequences without explicitly promoting a specific political ideology or offering an ideologically-driven solution.
This 1929 film features traditional casting practices, reflecting the industry norms of its era with a predominantly white cast and no intentional race or gender swaps. Its narrative maintains a neutral or positive framing of traditional identities, without engaging in critical portrayals or explicit DEI themes.
Our Modern Maidens is a romantic drama from 1929 centered on heterosexual relationships and the choices of young women. There are no identifiable LGBTQ+ characters or themes present in the film's plot or character arcs, resulting in no depiction of queer identity.
The movie does not contain any action or adventure elements.
This 1929 film is a direct sequel to "Our Dancing Daughters" (1928). It continues the stories of its established characters without altering their genders from the previous installment or any other source material.
This 1929 film is an original production and a sequel to "Our Dancing Daughters." The characters were created for these films, and there is no prior source material or historical record establishing their race differently from their on-screen portrayal.
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