In the 1870s, Captain Nathan Algren (Tom Cruise), a cynical veteran of the American Civil War, who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant c...
In the 1870s, Captain Nathan Algren (Tom Cruise), a cynical veteran of the American Civil War, who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant c...
The film leans right because its central solution champions the preservation of traditional values, honor, and community against the perceived corrupting forces of rapid, uncritical modernization and Westernization, emphasizing the enduring strength of heritage over unbridled progress.
The movie features a diverse cast appropriate for its historical Japanese setting, with a white protagonist. Its narrative positively frames the traditional identity of the main character, focusing on his journey of redemption and cultural immersion without explicitly critiquing traditional identities or making strong DEI themes central to the plot.
The Last Samurai does not feature any discernible LGBTQ+ characters or themes. The film's narrative focuses on a different set of cultural and personal conflicts, resulting in no portrayal of queer identity.
The film does not feature any female characters participating in direct physical combat. Female characters are present but are not depicted in action roles where they engage in or win fights against male opponents.
The film features original characters and historical figures, all of whom maintain their established or documented gender. No characters canonically or historically recognized as one gender are portrayed as a different gender.
The film features original characters and historical figures, all of whom are portrayed by actors whose race aligns with their established or historical background. There are no instances where a character's race deviates from prior canon or historical record.
Combines user and critic ratings from four sources