In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
The film's left-leaning bias (-1) is primarily driven by its central conflict, which unequivocally champions the anti-fascist resistance and empathy for refugees, advocating for individual sacrifice and international solidarity against tyranny.
The movie features a traditional cast with no explicit race or gender swaps of traditionally white roles. Its narrative frames traditional identities in a neutral to positive light, without incorporating explicit DEI critiques as central themes.
The film portrays the plight of Jewish refugees fleeing Nazi persecution with deep sympathy. By condemning the antisemitic actions of the Nazis and positioning the audience to empathize with the victims, the narrative affirms the dignity of those targeted for their faith.
Casablanca does not feature any identifiable LGBTQ+ characters or themes. The story centers on heterosexual romance and political drama during World War II, thus the film's portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
Casablanca is an original film from 1943, not an adaptation or reboot of pre-existing material with established characters. All characters were created for this film with their depicted genders, thus no gender swaps occurred.
Casablanca (1943) is an original film adaptation of an unproduced play. All major characters were cast with actors whose race aligned with the established or implicitly understood racial identity of those characters within the film's context and source material. There are no instances where a character's race was changed from a prior canonical or historical depiction.
Combines user and critic ratings from four sources