Society sleuths Nick and Nora Charles investigate a murder in a jazz club.
Society sleuths Nick and Nora Charles investigate a murder in a jazz club.
The film is a classic murder mystery focused on entertainment and character interaction, with no explicit political agenda or underlying ideological message. Its core conflict and resolution are apolitical, centering on individual deduction to solve a crime.
This 1947 film features a predominantly white cast, consistent with classic Hollywood productions of its era, and does not include intentional race or gender swaps for traditional roles. The narrative positively frames traditional identities without any explicit critique or central DEI themes.
Song of the Thin Man does not feature any identifiable LGBTQ+ characters or themes. The film's narrative focuses on a traditional murder mystery without incorporating queer identities or experiences.
The movie does not contain any action or adventure elements.
The film is the sixth installment of the 'Thin Man' series. The main characters, Nick and Nora Charles, maintain their established genders from the original Dashiell Hammett novel and all previous films in the series. No canonical characters have their gender altered.
The film is the sixth installment in a series, with its main characters, Nick and Nora Charles, consistently portrayed by the same white actors (William Powell and Myrna Loy) throughout the franchise, aligning with their established depictions in the source material. No characters were established as one race in prior canon or source material and then portrayed as a different race in this film.
Combines user and critic ratings from four sources