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Combines user and critic ratings from four sources
Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts -- including murder.
Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts -- including murder.
The film primarily explores individual psychological drama, moral choices, and their tragic consequences, rather than advancing a clear political thesis. It balances potential critiques of societal constraints on women with a cautionary narrative about individual moral failings and unchecked ambition.
The movie features a cast that aligns with traditional Hollywood casting practices of its era, without visible diversity or intentional re-casting of roles. Its narrative focuses on personal drama within a traditional societal framework, and does not engage with or critique traditional identities or DEI themes.
The film portrays the Christian-influenced small-town morality as oppressive and hypocritical, contributing to the protagonist's tragic fate. The narrative frames the societal manifestation of these values as stifling and judgmental, without significant counterbalancing positive portrayals of the faith's virtues.
Beyond the Forest does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual relationships and the protagonist's struggles within a conventional societal structure, leading to an N/A rating for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
This film is an adaptation of a novel, and its characters were created for that novel. There is no evidence that any character canonically established as one gender in the source material was portrayed as a different gender in the film adaptation.
The film "Beyond the Forest" (1949) is an adaptation of a novel. All major characters, as established in the source material and portrayed in the film, are consistently depicted as white. There is no evidence of any character being canonically or historically established as one race and then portrayed as a different race.
Combines user and critic ratings from four sources