Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.
Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.
The film focuses on apolitical themes of romantic love, artistic ambition, and the joy of life in post-war Paris, offering no discernible political commentary or ideological stance.
This film features traditional casting with a predominantly white ensemble, consistent with its production era. The narrative focuses on a romantic plot without engaging in critical portrayals of traditional identities or incorporating explicit DEI themes.
An American in Paris is a classic Hollywood musical centered on a heterosexual love story in post-war Paris. The film does not feature any identifiable LGBTQ+ characters, themes, or subplots, resulting in no depiction of queer identity.
The movie does not contain any action or adventure elements.
An American in Paris (1951) is an original musical film featuring characters created specifically for the movie. There are no pre-existing source materials, historical figures, or prior adaptations from which characters' genders could have been altered.
The film "An American in Paris" (1951) features original characters created for the movie, not adapted from prior source material with established racial identities. Therefore, no character undergoes a race swap.
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