Apple TVThe Silver Chalice (1954)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 3.5
Overview
A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to complete the task. Meanwhile, a nefarious interloper is trying to convince the crowds that he is the new Messiah by using nothing more than cheap parlor tricks.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to complete the task. Meanwhile, a nefarious interloper is trying to convince the crowds that he is the new Messiah by using nothing more than cheap parlor tricks.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative champions unwavering faith, the preservation of sacred tradition, and the triumph of spiritual truth over deception, aligning its dominant themes more closely with conservative values.
This film features traditional casting practices, predominantly utilizing white actors for its roles, consistent with the era of its production. The narrative maintains a neutral or positive framing of traditional identities, without incorporating critical portrayals or explicit DEI themes.
Secondary
The film portrays early Christians with deep respect and sympathy, highlighting their unwavering faith, spiritual purity, and resilience against Roman persecution. The narrative aligns with the virtues of the nascent faith, positioning it as a force for good against a corrupt world.
The Silver Chalice is a 1954 biblical epic that centers on the creation of the Holy Grail. Its narrative focuses on religious and historical themes, and there are no discernible LGBTQ+ characters or themes present in the film's plot or character arcs.
The movie does not contain any action or adventure elements.
The film adapts Thomas B. Costain's novel, and all major characters, including Basil, Deborra, and Simon Magus, maintain the same gender as established in the source material. No instances of gender swapping are present.
The film, set in 1st-century Judea and Rome, features characters whose historical and canonical races (Jewish, Greek, Roman, Samaritan) were consistently portrayed by white actors, aligning with the general racial understanding of the source material and the era's casting practices. No character established as one race was depicted as a different race.
Viewer Rating Breakdown
3.5
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
4.6
4.5
Critic Ratings
1.3
N/A
More Like This
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Leans Traditional
7.4
Anna Karenina
(1935)
Political: Center
Diversity: Low
Leans Traditional
8.6
The Heiress
(1949)
Political: Center
Diversity: Low
Traditional
7.3
Quo Vadis
(1951)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.1
The Secret Life of Walter Mitty
(1947)
Political: Center
Diversity: Low
Leans Traditional
7.8
Flame and the Flesh
(1954)
Political: Center
Diversity: Low
Traditional
8.5
White Heat
(1949)
Political: Leans Right
Diversity: Low
Traditional
7.8
Somebody Up There Likes Me
(1956)
Political: Leans Right
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Traditional
7.0
Fatal Attraction
(1987)
Political: Leans Right
Diversity: Low
Traditional
8.8
The Adventures of Robin Hood
(1938)
Political: Leans Right
Diversity: Low
Traditional
8.0
Way Down East
(1920)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
A Woman of Paris: A Drama of Fate
(1923)
Political: Center
Diversity: Low
Leans Traditional
6.9
Duel in the Sun
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Alexander's Ragtime Band
(1938)
Political: Center
Diversity: Low
Leans Traditional
7.4
Random Harvest
(1942)
Political: Center
Diversity: Low
Traditional
7.8
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low