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Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Rififi is a classic heist film that explores the universal themes of greed, loyalty, and the destructive consequences of a life of crime, without explicitly promoting or critiquing specific political ideologies. Its focus on the internal dynamics and tragic outcomes within the criminal underworld renders it politically neutral.
The film features traditional casting with a predominantly white, male ensemble, consistent with its era and genre. Its narrative focuses on a criminal enterprise without critiquing or challenging traditional identities or incorporating explicit diversity, equity, and inclusion themes.
Rififi, a classic French film noir, focuses on a meticulously planned jewel heist and the subsequent unraveling of the criminal gang. The narrative explores themes of loyalty, greed, and betrayal among its male protagonists and their relationships with women. There are no identifiable LGBTQ+ characters or themes present in the film's storyline.
The movie does not contain any action or adventure elements.
The film "Rififi" is an adaptation of Auguste Le Breton's novel. All major characters in the film retain the same gender as their counterparts in the original source material. There are no instances of a character established as one gender being portrayed as a different gender.
Rififi (1955) is an adaptation of a French novel. The film's characters, as depicted in the source material and portrayed by the cast, are consistently white European. There is no evidence of any character's race being changed from their established canon.
Combines user and critic ratings from four sources