A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
The film primarily explores the psychological and moral consequences of individual hedonism and irresponsibility within a family unit, rather than promoting or critiquing a specific political ideology. Its central conflict and implied solution revolve around universal human themes of maturity and accountability, leading to a neutral rating.
The movie features a predominantly white cast, consistent with its setting and the era of its production, without any explicit race or gender swaps of traditional roles. Its narrative centers on a psychological drama among affluent European characters, and it does not explicitly critique traditional identities or incorporate strong DEI themes as central to its plot.
While not explicitly religious, the character of Anne embodies virtues of order, discipline, and conventional morality often associated with Christian ethics. The film's tragic narrative implicitly affirms these values by showing the destructive consequences of their rejection and the hedonistic lifestyle of Cécile and Raymond.
Bonjour Tristesse does not feature any identifiable LGBTQ+ characters or themes. The narrative centers entirely on heterosexual relationships and the complex family dynamics between Cécile, her father, and his lovers, without any explicit or implied queer representation.
The movie does not contain any action or adventure elements.
The 1958 film "Bonjour Tristesse" is a direct adaptation of Françoise Sagan's 1954 novel. All major characters, including Cécile, Raymond, Anne Larsen, and Elsa, maintain their original genders as established in the source material.
The 1958 film "Bonjour Tristesse" is an adaptation of Françoise Sagan's 1954 novel. The characters in the source material are implicitly and explicitly depicted as white Europeans. The film's casting of its main characters, including Cécile, Raymond, and Anne, aligns with these established racial depictions, featuring white actors in those roles.
Combines user and critic ratings from four sources