After a lavish dinner party, the guests find themselves mysteriously unable to leave the room... and over the next few days all the elaborate pretenses and facades that they've built up by virtue of their position in soc...
After a lavish dinner party, the guests find themselves mysteriously unable to leave the room... and over the next few days all the elaborate pretenses and facades that they've built up by virtue of their position in soc...
The film is a surrealist, scathing critique of the hypocrisy and moral decay of the privileged class and established social and religious conventions, aligning its dominant themes with a left-leaning perspective that questions societal power structures and norms.
This 1962 surrealist film features a cast that is predominantly white, consistent with its portrayal of a specific aristocratic social class. The narrative offers a sharp satire of the bourgeoisie, critiquing their behavior and social structures, but this critique is not explicitly framed around modern DEI themes concerning race or gender.
The Exterminating Angel does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily explores social critique and human behavior under duress, without engaging with queer identities or experiences.
The movie does not contain any action or adventure elements.
The Exterminating Angel is an original screenplay by Luis Buñuel and Luis Alcoriza. All characters were created specifically for this film and do not have pre-established canonical or historical genders from prior source material. Therefore, no gender swaps occurred.
The Exterminating Angel is an original film from 1962, not an adaptation of pre-existing material or a historical biopic. All characters were created for this film, meaning there is no prior canonical or historical race to be altered.
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