Jonas Cord is a disagreeable young tycoon who's building planes, directing films, and catting around on the corporate make in 1930s Hollywood.
Jonas Cord is a disagreeable young tycoon who's building planes, directing films, and catting around on the corporate make in 1930s Hollywood.
The film is a character study exploring the destructive consequences of unchecked ambition and moral corruption on an individual, rather than offering a systemic critique or promoting a specific political ideology. Its focus on individual moral failings and the corrupting nature of power leads to a neutral rating.
This 1964 film features a cast predominantly reflecting traditional Hollywood demographics of its time, without intentional diversity-driven casting. The narrative centers on the individual journey of a white male protagonist, exploring themes of ambition and power without critiquing traditional identities or incorporating explicit DEI themes into its core story.
The film 'The Carpetbaggers' does not include any identifiable LGBTQ+ characters or themes in its storyline. The narrative primarily focuses on the heterosexual relationships and business ambitions of its protagonist, Jonas Cord, without explicit queer representation.
The movie does not contain any action or adventure elements.
The 1964 film "The Carpetbaggers" is an adaptation of Harold Robbins' 1961 novel. A review of the main characters in both the source material and the film reveals no instances where a character's established gender was changed for the screen adaptation.
The film "The Carpetbaggers" (1964) is an adaptation of a novel. A review of its main characters and their portrayals reveals no instances where a character canonically established as one race in the source material was depicted as a different race in the film.
Combines user and critic ratings from four sources