At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.
At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.
The film is a romantic comedy centered on apolitical themes of marital communication, trust, and individual neuroses, and its narrative solution emphasizes personal growth and honest dialogue within a relationship rather than promoting any specific political ideology.
This 1964 romantic comedy features a cast predominantly composed of traditional identities, consistent with its era, and does not include intentional race or gender swaps for established roles. The narrative maintains a neutral to positive portrayal of traditional identities, without incorporating explicit critiques or central DEI themes.
The film "Send Me No Flowers" is a romantic comedy from 1964 starring Rock Hudson and Doris Day. Its narrative focuses on a man's mistaken belief of impending death and his attempts to secure his wife's future. There are no identifiable LGBTQ+ characters or themes present within the movie's plot or character arcs.
The movie does not contain any action or adventure elements.
The film "Send Me No Flowers" is an adaptation of a Broadway play. All major characters, including George Kimball, Judy Kimball, and Arnold Nash, retain the same gender as established in the original source material. No canonical characters were portrayed as a different gender.
This film is an original screenplay based on a play, not an adaptation of a work with pre-established racial canon or a biopic of historical figures. The characters were originated and portrayed by actors of the same race in both the play and the film, with no evidence of a race swap.
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