With socialite Tracy Lord about to remarry, her ex-husband - with the help of a sympathetic reporter - has 48 hours to convince her that she really still loves him.
With socialite Tracy Lord about to remarry, her ex-husband - with the help of a sympathetic reporter - has 48 hours to convince her that she really still loves him.
The film is a romantic musical comedy primarily focused on personal relationships and self-discovery within a high society setting, and it does not engage in explicit political commentary or promote a specific ideological viewpoint.
The movie features a predominantly white cast typical of its era, with no explicit diversity initiatives or race/gender swaps. Its narrative focuses on traditional romantic themes among wealthy socialites, presenting traditional identities in a neutral to positive light without any critical framing or explicit DEI themes.
High Society is a 1956 musical comedy centered on a socialite's romantic entanglements. The film's plot and character arcs are entirely focused on heterosexual relationships and conventional societal norms, with no identifiable LGBTQ+ characters, relationships, or themes depicted.
The movie does not contain any action or adventure elements.
The 1956 musical film "High Society" is an adaptation of the play and 1940 film "The Philadelphia Story." All major characters in this adaptation retain the same gender as their established counterparts in the source material.
The film "High Society" (1956) is a musical remake of "The Philadelphia Story" (1940). All major characters who were established as white in the original source material are portrayed by white actors in the 1956 adaptation. The inclusion of Louis Armstrong playing a version of himself does not constitute a race swap of an existing character.
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