7.5
Viewer Rating
Combines user and critic ratings from four sources
Take the Money and Run (1969)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.5
Overview
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, a bumbling criminal's life, is treated with absurdist comedy rather than serious political commentary, resulting in a neutral stance on societal or governmental issues.
The movie features traditional casting with a predominantly white ensemble, consistent with its era and director's style. Its narrative, a comedic mockumentary, does not engage with or critique traditional identities, nor does it incorporate explicit DEI themes.
Secondary
The film "Take the Money and Run" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on the comedic exploits of a heterosexual protagonist and his relationships, resulting in no depiction of queer identity.
The movie does not contain any action or adventure elements.
Take the Money and Run is an original film with characters created specifically for this production. There is no prior source material, historical basis, or previous installments from which characters' genders could have been established and subsequently changed.
This film is an original mockumentary with fictional characters created for the movie. There is no prior source material, historical figures, or established canon from which characters' races could be altered.
Viewer Rating Breakdown
User Ratings
7.2
7.1
Critic Ratings
9.1
6.7
More Like This
Leans Traditional
6.7
Small Time Crooks
(2000)
Political: Center
Diversity: Low
Leans Traditional
7.0
Deconstructing Harry
(1997)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
Sleeper
(1973)
Political: Center
Diversity: Low
Traditional
8.0
Bullets Over Broadway
(1994)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.2
Broadway Danny Rose
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.5
Love and Death
(1975)
Political: Center
Diversity: Low
Leans Traditional
7.1
Bananas
(1971)
Political: Center
Diversity: Low
Traditional
7.2
Everything You Always Wanted to Know About Sex *But Were Afraid to Ask
(1972)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
9.0
Pulp Fiction
(1994)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
7.4
Beverly Hills Cop
(1984)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
The Informant!
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.7
To Die For
(1995)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
Lethal Weapon
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.1
Adaptation.
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.5
Saving Grace
(2000)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
5.7
The Curse of the Jade Scorpion
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Wolf of Wall Street
(2013)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Pink Panther
(1963)
Political: Center
Diversity: Low