An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.
An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.
The film satirizes and sensationalizes the excesses of the 1960s counter-culture, depicting the destructive consequences of hedonism and unchecked ambition without explicitly promoting a specific political ideology or offering a clear political solution.
The movie features a cast largely reflective of its time, with some visible diversity but no explicit DEI-driven recasting of traditional roles. Its narrative satirizes societal norms and includes themes of sexual liberation and diverse relationships, yet it does not explicitly critique or negatively portray traditional identities.
The film features sexually fluid characters and a flamboyant, queer-coded villain. While some depictions of sexual fluidity are incidental to the hedonistic plot, the prominent association of a queer-coded character with villainy and violence contributes to a net problematic portrayal without significant counterbalance or critique.
The movie does not contain any action or adventure elements.
This film is an original story with new characters, not an adaptation, reboot, or biopic. There are no pre-established characters from source material, previous installments, or history whose gender could have been altered.
The film features original characters created for this specific production, not adaptations of pre-existing characters with established racial identities from prior source material or historical records. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources