PhiloMan of La Mancha (1972)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.1
Overview
In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.
Starring Cast
Where to watch
Philo
Apple TVBias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.
Starring Cast
Where to watch
PhiloApple TVDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central thesis champions individual idealism, the power of imagination, and the pursuit of a noble purpose in the face of a harsh reality, offering a solution that is personal and spiritual rather than political or systemic, thus aligning with a neutral stance.
The film features a predominantly traditional cast that aligns with the historical setting of its source material. Its narrative explores themes of idealism and reality, without explicitly critiquing or negatively framing traditional identities.
Secondary
The film critiques the oppressive power of the Spanish Inquisition, a Christian institution, but simultaneously affirms the profound spiritual virtues of faith, compassion, and idealism embodied by Don Quixote. The narrative champions his Christ-like pursuit of goodness and dignity for all, contrasting it with the cynicism and cruelty of the 'sane' world. The film positions the audience to sympathize with Quixote's ideals over the institutional oppression.
The film "Man of La Mancha" does not feature any discernible LGBTQ+ characters or themes within its narrative. The story focuses on idealism, reality, and the power of imagination through the lens of Don Quixote's adventures, without incorporating queer identities or experiences.
The film does not depict any female characters engaging in or winning close-quarters physical combat against one or more male opponents. Female characters are present but do not participate in such combat scenarios.
The 1972 film adaptation of "Man of La Mancha" faithfully portrays the established genders of all major characters from the original musical and Cervantes' novel "Don Quixote." No characters canonically or historically established as one gender are depicted as a different gender in this movie.
The film adapts a Spanish story with characters canonically established as white. The main cast, including Peter O'Toole as Don Quixote and Sophia Loren as Aldonza, are all white actors, aligning with the characters' established racial background.
Viewer Rating Breakdown
6.1
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
6.5
6.6
Critic Ratings
5.3
N/A
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