A martial artist agrees to spy on a reclusive crime lord using his invitation to a tournament there as cover.
A martial artist agrees to spy on a reclusive crime lord using his invitation to a tournament there as cover.
The film primarily focuses on apolitical themes of individual heroism, justice, and martial arts discipline, presenting a classic good versus evil narrative without engaging in explicit political discourse or promoting specific ideological viewpoints.
The movie features a visibly diverse main cast, including Asian, Black, and white actors, which is inherent to its international martial arts setting. The narrative does not explicitly critique traditional identities or center around DEI themes, maintaining a neutral to positive framing of its diverse protagonists.
The film implicitly affirms the positive ethical and disciplinary aspects of the Shaolin tradition, which is rooted in Buddhism. Bruce Lee's character embodies the virtues of this training, using his skills for justice, while the antagonist Han represents a corruption of these principles, not a critique of the faith itself.
Enter the Dragon is a martial arts action film centered on Bruce Lee's character infiltrating a crime lord's island. The narrative does not feature any identifiable LGBTQ+ characters, relationships, or themes, resulting in no depiction of queer identity within the film's scope.
The film features female characters, including Tania, who participates in the martial arts tournament. However, Tania is defeated by her male opponent, Roper, in direct physical combat. No other female character is depicted winning a close-quarters physical fight against one or more male opponents.
Enter the Dragon is an original film with characters created specifically for it. There are no pre-existing canonical or historical characters whose gender was altered for this movie.
Enter the Dragon is an original film, not an adaptation of pre-existing material with established characters. All characters were created for this specific movie, meaning there is no prior canon or historical record to reference for a race swap.
Combines user and critic ratings from four sources