A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt h...
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt h...
The film's central conflict revolves around a spiritual battle against demonic possession, with the solution found in traditional religious faith and sacrifice rather than any political or societal framework. This focus on apolitical, metaphysical themes prevents it from aligning with a specific political ideology.
The movie features traditional casting with a predominantly white main cast and no apparent intentional race or gender swaps. Its narrative focuses on a supernatural horror story without critiquing or explicitly addressing traditional identities or DEI themes.
The film "The Exorcist" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on demonic possession, faith, and psychological struggle, with no explicit or implicit portrayal of queer identities or issues.
The movie does not contain any action or adventure elements.
The 1973 film "The Exorcist" is a direct adaptation of William Peter Blatty's novel. All major characters, including Regan MacNeil, Father Karras, and Father Merrin, retain their established genders from the source material. No character's gender was altered for the film.
The Exorcist (1973) is an adaptation of William Peter Blatty's novel. All major characters, including Regan MacNeil, Chris MacNeil, Father Karras, and Father Merrin, are portrayed by actors whose race aligns with their established depiction in the source material. No instances of race swapping were identified.
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