Apple TVAlice Doesn't Live Here Anymore (1974)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.8
Overview
After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Leans Left
Diversity: Low
Overview
After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Center
Primary
The film's dominant themes align with progressive values by focusing on a woman's journey for independence and self-fulfillment, challenging traditional gender roles and societal expectations in her pursuit of a new life.
The movie features a predominantly white cast, consistent with traditional casting practices of its time. Its narrative explores themes of female independence and personal struggles within relationships, without explicitly critiquing traditional identities (white, male) through a DEI lens.
Secondary
Alice Doesn't Live Here Anymore does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual relationships and a woman's journey for independence and self-fulfillment, with no queer representation present.
The movie does not contain any action or adventure elements.
Alice Doesn't Live Here Anymore is an original film with characters created for this specific production. There is no prior source material, historical record, or previous installment from which character genders could be established and subsequently swapped.
The film "Alice Doesn't Live Here Anymore" is an original story with characters created for the 1974 production. There are no prior canonical or historical depictions of these characters to establish a different race, thus no race swap occurred.
Viewer Rating Breakdown
7.8
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.3
7.0
Critic Ratings
9.2
7.8
More Like This
Leans Traditional
8.0
The Age of Innocence
(1993)
Political: Center
Diversity: Low
Center
7.4
Sadie Thompson
(1928)
Political: Leans Left
Diversity: Low
Leans Traditional
8.6
The Departed
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Woman of Paris: A Drama of Fate
(1923)
Political: Center
Diversity: Low
Traditional
7.0
Fatal Attraction
(1987)
Political: Leans Right
Diversity: Low
Progressive
7.7
Hairspray
(2007)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.7
Romeo + Juliet
(1996)
Political: Center
Diversity: High
Traditional
7.8
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Random Harvest
(1942)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
The Heiress
(1949)
Political: Center
Diversity: Low
Traditional
8.0
Way Down East
(1920)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Duel in the Sun
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Dan in Real Life
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.6
Eternal Sunshine of the Spotless Mind
(2004)
Political: Center
Diversity: Low
Center
8.5
The Big Parade
(1925)
Political: Leans Left
Diversity: Low
Center
7.3
Gangs of New York
(2002)
Political: Leans Left
Diversity: Low
Leans Progressive
6.7
The Lion King II: Simba's Pride
(1998)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.4
Two Fists, One Heart
(2009)
Political: Leans Left
Diversity: Moderate