Tired of life as soldiers, Peachy Carnehan and Danny Dravot travel to the isolated land of Kafiristan, where they are ultimately embraced by the people and revered as rulers. After a series of misunderstandings, the natives come to believe that Dravot is a god, but he and Carnehan can't keep up their deception forever.
Tired of life as soldiers, Peachy Carnehan and Danny Dravot travel to the isolated land of Kafiristan, where they are ultimately embraced by the people and revered as rulers. After a series of misunderstandings, the natives come to believe that Dravot is a god, but he and Carnehan can't keep up their deception forever.
The film explores the individual ambition and hubris of two adventurers within a colonial setting, focusing on their personal tragedy rather than offering a direct political critique or endorsement of any specific ideology, thus maintaining a neutral stance.
The movie features traditional casting consistent with its historical setting, with lead roles portrayed by white male actors and supporting roles reflecting the diverse ethnicities of the regions depicted. The narrative subtly touches upon themes of colonial ambition but does not explicitly critique traditional identities.
The Man Who Would Be King is an adventure film that does not include any explicit or implicit LGBTQ+ characters or themes in its storyline. The narrative focuses on the ambitions and exploits of two male protagonists without addressing queer identity.
The film primarily focuses on its two male protagonists and their adventures. Female characters are present but are not depicted engaging in or winning physical combat against male opponents through skill, strength, or martial arts.
The 1975 film is a direct adaptation of Rudyard Kipling's novella. All major and minor characters, including Daniel Dravot, Peachy Carnehan, and Roxanne, maintain the same gender as established in the original source material.
The film adapts Rudyard Kipling's novella, portraying British protagonists and Kafiristan natives with actors whose races align with the source material and historical context. No established character's race was changed.
Combines user and critic ratings from four sources