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In the fictional town of Fernwood, Ohio, suburban housewife Mary Hartman seeks the kind of domestic perfection promised by Reader’s Digest and TV commercials. Instead she finds herself suffering the slings and arrows of outrageous fortune: mass murders, low-flying airplanes and waxy yellow buildup on her kitchen floor.
In the fictional town of Fernwood, Ohio, suburban housewife Mary Hartman seeks the kind of domestic perfection promised by Reader’s Digest and TV commercials. Instead she finds herself suffering the slings and arrows of outrageous fortune: mass murders, low-flying airplanes and waxy yellow buildup on her kitchen floor.
The show's dominant themes are a satirical critique of consumerism, media sensationalism, and the psychological toll of suburban alienation, which align with progressive analyses of societal dysfunction.
This satirical soap opera from the 1970s primarily features a white main cast, reflecting its focus on white, middle-class American life. However, its narrative strongly critiques traditional identities, gender roles, and societal norms through its absurd and often dark humor.
"Mary Hartman, Mary Hartman" features LGBTQ+ characters, notably Pat Gimble, a dignified gay friend, and Charlie Haggers, whose affair with a man is part of the show's satirical narrative. The series integrates these identities into its complex portrayal of human foibles without resorting to mockery or degradation, offering a progressive and largely affirming depiction for its time.
The show consistently satirizes the hypocrisy, superficiality, and often absurd manifestations of Christianity among its characters and institutions. The narrative frequently exposes the disconnect between professed faith and actual behavior, portraying religious adherence as often performative, misguided, or a source of delusion within the show's cynical view of suburban life.
The movie does not contain any action or adventure elements.
Mary Hartman, Mary Hartman is an original satirical soap opera from 1976. It does not adapt pre-existing source material, historical figures, or previous installments. All characters were created for this series, meaning there is no prior canonical gender to be swapped.
This is an original television series from 1976. Its characters were created for the show, meaning there is no prior source material or historical baseline against which a race swap could occur.
Combines user and critic ratings from four sources