Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
The film is largely apolitical, focusing on a clear-cut global threat from a non-ideological villain, resolved through pragmatic international cooperation between rival superpowers and the actions of highly capable individual agents, thus balancing potential left-leaning themes of globalism with right-leaning themes of individual strength and state power.
The movie features a predominantly white and mainstream cast, consistent with traditional casting practices of its era, without intentional race or gender swaps of established roles. Its narrative maintains a neutral to positive framing of traditional identities, without explicit critique or central DEI themes.
The Spy Who Loved Me, a 1977 James Bond film, does not include any explicit or implicitly identifiable LGBTQ+ characters or themes in its storyline. The narrative focuses on traditional espionage and heterosexual relationships typical of the era, resulting in no LGBTQ+ portrayal to evaluate.
The film features Major Anya Amasova, a capable agent who engages in espionage and uses firearms. However, there are no scenes where she or any other female character is shown to be victorious in close-quarters physical combat against one or more male opponents through skill, strength, or martial arts.
All major characters in "The Spy Who Loved Me" retain their established genders from prior James Bond canon or are new characters whose gender is established within this film, thus not constituting a gender swap.
All major and legacy characters in "The Spy Who Loved Me" are portrayed by actors whose race aligns with their established canonical or historical depictions from source material and prior installments. No character established as one race is depicted as a different race.
Combines user and critic ratings from four sources