In the 1960s with the Cold War in play, CIA agent Napoleon Solo successfully helps Gaby Teller defect to West Germany despite the intimidating opposition of KGB agent Illya Kuryakin. Later, all three unexpectedly find th...
In the 1960s with the Cold War in play, CIA agent Napoleon Solo successfully helps Gaby Teller defect to West Germany despite the intimidating opposition of KGB agent Illya Kuryakin. Later, all three unexpectedly find th...
The film maintains a neutral stance by focusing on the pragmatic necessity of international cooperation between ideological rivals to prevent a global catastrophe, rather than promoting any specific political ideology. Its primary concern is stylish entertainment and character dynamics.
The movie features a predominantly white main cast with no evident intentional race or gender swaps for traditionally white roles. Its narrative focuses on a spy adventure without critiquing traditional identities or incorporating explicit DEI themes.
The Man from U.N.C.L.E. does not include any identifiable LGBTQ+ characters or themes. The narrative focuses entirely on its heterosexual main characters and their spy mission, with no elements pertaining to queer identity or experiences.
The film features female characters such as Gaby Teller and Victoria Vinciguerra who are involved in the plot and action sequences. However, neither character is depicted winning a direct physical combat encounter against one or more male opponents using hand-to-hand or melee weapon skills.
The film is an adaptation of the 1960s TV series. All major characters from the original series, such as Napoleon Solo, Illya Kuryakin, and Alexander Waverly, retain their established male gender in the 2015 movie. No canonical characters were portrayed as a different gender.
The film adapts the 1960s TV series. Key characters like Napoleon Solo, Illya Kuryakin, and Gaby Teller are portrayed by actors of the same race as their original counterparts. No established character's race was changed from the source material.
Combines user and critic ratings from four sources