Apple TVDays of Heaven (1978)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 8.5
Overview
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Overview
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
While the film depicts class disparity and the struggles of migrant workers, its primary focus is on the poetic observation of human nature, individual choices, and the indifferent beauty of the natural world, rather than explicitly promoting a specific political ideology or solution.
The movie features a predominantly white cast, consistent with its early 20th-century historical setting, and does not include intentional race or gender swaps of traditional roles. Its narrative explores themes of love, class, and nature without explicitly critiquing or negatively framing traditional identities.
Secondary
The film "Days of Heaven" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a heterosexual love triangle and class struggles in early 20th-century America, with no elements pertaining to queer identity.
The movie does not contain any action or adventure elements.
Days of Heaven is an original film with characters created specifically for its screenplay. There is no prior source material, historical record, or previous adaptations to establish a baseline gender for any character that could then be swapped.
Days of Heaven is an original screenplay by Terrence Malick, not an adaptation of pre-existing material with established character races, nor does it feature historical figures whose race would be documented. Therefore, no characters were race-swapped.
Viewer Rating Breakdown
8.5
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.7
7.5
Critic Ratings
9.4
9.4
More Like This
Leans Traditional
7.3
Alexander's Ragtime Band
(1938)
Political: Center
Diversity: Low
Leans Traditional
7.7
Waterloo Bridge
(1940)
Political: Center
Diversity: Low
Leans Traditional
8.6
The Heiress
(1949)
Political: Center
Diversity: Low
Traditional
7.0
Fatal Attraction
(1987)
Political: Leans Right
Diversity: Low
Traditional
7.6
Titanic
(1953)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.6
Dan in Real Life
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Traditional
8.0
Way Down East
(1920)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Duel in the Sun
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
A Place in the Sun
(1951)
Political: Center
Diversity: Low
Traditional
7.5
Tender Mercies
(1983)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Leans Traditional
8.3
A Star Is Born
(1954)
Political: Center
Diversity: Low
Leans Traditional
8.6
Eternal Sunshine of the Spotless Mind
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Traditional
7.8
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Random Harvest
(1942)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Woman of Paris: A Drama of Fate
(1923)
Political: Center
Diversity: Low
Traditional
7.4
Woman of the Year
(1942)
Political: Leans Right
Diversity: Low