Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single or widowed woman can save him from the gallows by marrying him.
Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single or widowed woman can save him from the gallows by marrying him.
The film explores individual freedom and societal constraints through the lens of an unconventional forced marriage in the Old West. Its focus on pragmatic adaptation and character dynamics, rather than explicit ideological advocacy, results in a neutral political stance.
The film features traditional casting with a predominantly white main cast, and its narrative does not offer a critical portrayal of traditional identities. The story focuses on comedic elements and character interactions within a Western setting, without explicit DEI themes or critiques.
Goin' South does not feature any identifiable LGBTQ+ characters or themes. The story centers on a male-female relationship in a Western comedy context, with no elements related to queer identity present in the narrative.
The movie does not contain any action or adventure elements.
Goin' South is an original film from 1978, not an adaptation of pre-existing material or a reboot with legacy characters. All characters were created for this specific film, meaning there are no prior canonical or historical gender baselines to compare against for a gender swap.
Goin' South is an original film from 1978, not an adaptation of pre-existing material or a depiction of historical figures. There are no prior canonical character descriptions to establish a race that could then be changed.
Combines user and critic ratings from four sources