Possession (1981)

Bias Rating

Analyzing...

Leans Right

Viewer Rating

Rating: 7.7

Overview

During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she wants a divorce. They both go thro...

Starring Cast

Isabelle Adjani • Sam Neill • Margit Carstensen

Where to watch

Philo

Prime Video

Apple TV

Bias Dimensions

Political: Center

Diversity: Low

Overview

Starring Cast

Isabelle Adjani • Sam Neill • Margit Carstensen

Where to watch

Philo

Prime Video

Apple TV

Detailed Bias Analysis

Analyzing...

Leans Right

Primary

Political: CenterConfidence: High

The film's central thesis is an allegorical exploration of extreme emotional and psychological breakdown within a disintegrating marriage, focusing on universal themes of obsession and identity rather than specific socio-political issues or ideological solutions.

Diversity: LowConfidence: High

Andrzej Zulawski's 'Possession' features a predominantly white European cast, consistent with traditional casting for its era and setting. The narrative delves into psychological horror and marital disintegration, without explicitly engaging in DEI-driven critiques of traditional identities or portraying them negatively.

Secondary

LGBTQ: N/AConfidence: High

Andrzej Zulawski's 'Possession' does not feature any identifiable LGBTQ+ characters or themes. The film's intense psychological drama centers entirely on heterosexual relationships and their disintegration, rendering the LGBTQ+ portrayal as N/A.

FemPower: N/R

The movie does not contain any action or adventure elements.

Gender Swap: NoConfidence: High

Possession (1981) is an original film with no prior source material, historical figures, or legacy characters. All characters were created for this specific production, meaning there is no baseline to establish a gender swap.

Race Swap: NoConfidence: High

Possession (1981) is an original film with characters created specifically for this production. There is no prior source material, historical record, or previous installment from which character races could have been established and subsequently altered.