4.3
Viewer Rating
Combines user and critic ratings from four sources
Good King Dagobert (1984)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.3
Overview
King's Dagobert I intestinal and sexual problems loom large as he survives an attack on his royal caravan then barely makes it to Rome to personally give thanks to the Pope. After he arrives at the Vatican, he becomes involved in the battle between two contenders for the papacy and has to face the machinations of a ruthless Byzantine princess.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
King's Dagobert I intestinal and sexual problems loom large as he survives an attack on his royal caravan then barely makes it to Rome to personally give thanks to the Pope. After he arrives at the Vatican, he becomes involved in the battle between two contenders for the papacy and has to face the machinations of a ruthless Byzantine princess.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a historical comedy that satirizes universal human flaws and institutional hypocrisy within a medieval setting. It does not advocate for a specific political ideology or solution, instead offering a broad, non-partisan critique of human nature and power.
This 1984 historical comedy features a predominantly traditional European cast, consistent with its production era and historical setting, without explicit DEI-driven casting choices. The narrative maintains a neutral or positive framing of traditional identities, characteristic of a historical comedy from its time, and does not incorporate explicit DEI critiques.
Secondary
The film satirizes the early medieval Christian Church and its clergy, portraying them as hypocritical, power-hungry, and often foolish. The narrative uses anachronistic comedy to highlight the human flaws and worldly concerns of religious figures, offering no significant counterbalancing positive portrayal of the faith's virtues.
The film 'Good King Dagobert' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Its focus remains on the historical and comedic portrayal of King Dagobert I, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The film is a historical comedy based on the real-life King Dagobert I and other historical figures. There is no evidence or widely known instance of any historically established character being portrayed with a different gender in this adaptation.
The film depicts historical figures from 7th-century Francia. Research into the cast and characters reveals no instances where a historically or canonically established character's race was altered for the screen.
Viewer Rating Breakdown
User Ratings
4.4
4.1
Critic Ratings
N/A
N/A
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