6.0
Viewer Rating
Combines user and critic ratings from four sources
Happy Easter (1984)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.0
Overview
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Happy Easter is a farcical comedy centered on marital infidelity and the protagonist's attempts to conceal it through elaborate lies. Its core subject matter and narrative resolution are apolitical, focusing on personal relationships and comedic situations rather than promoting or critiquing any specific political ideology.
This 1984 French comedy features a predominantly traditional cast, reflecting the common casting practices of its era without explicit diversity initiatives or race/gender swaps. The narrative focuses on comedic situations arising from personal relationships and does not include critical portrayals of traditional identities or explicit DEI themes.
Secondary
The film 'Happy Easter' does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on heterosexual relationships and comedic situations, resulting in no direct portrayal or engagement with queer identity within its storyline.
The movie does not contain any action or adventure elements.
The film "Happy Easter" (1984) is an adaptation of a play by Jean Poiret. There is no evidence that any character's gender was altered from the original source material for the film adaptation.
This film is an adaptation of a French play. The characters, originally conceived as white, are portrayed by white actors in the 1984 film. There are no instances where a character's established race was changed.
Viewer Rating Breakdown
User Ratings
6.2
5.9
Critic Ratings
N/A
N/A
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