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In 19th-century Paris, Charles Swann risks his social standing in his obsessive pursuit of prostitute Odette. His overwhelming desire for her comes, in part, from Odette's complete disinterest in him. When he finally weds her, utterly compromising himself in high society, he finds to his horror that his love for her was a complete illusion. At the same time, the Baron de Charlus pursues his own ill-advised romance.
In 19th-century Paris, Charles Swann risks his social standing in his obsessive pursuit of prostitute Odette. His overwhelming desire for her comes, in part, from Odette's complete disinterest in him. When he finally weds her, utterly compromising himself in high society, he finds to his horror that his love for her was a complete illusion. At the same time, the Baron de Charlus pursues his own ill-advised romance.
The film's central focus is on the psychological exploration of obsessive love and the intricate social dynamics of Belle Époque Paris, rather than engaging with or promoting any specific political ideology. Its narrative is primarily a character study and a period piece, rendering it apolitical.
The movie features traditional casting that aligns with its 19th-century Parisian setting and source material, without any explicit race or gender swaps. Its narrative focuses on the psychological and social dynamics of its period, without explicitly critiquing traditional identities or centering DEI themes.
The film portrays Charles Swann, a Jewish man, with depth and sympathy, highlighting the social prejudice and anti-Semitism he faces in late 19th-century Parisian society. The narrative frames this bigotry as wrong, positioning the audience to empathize with Swann and critique the societal intolerance.
This film adaptation of a section of Marcel Proust's novel does not feature any identifiable LGBTQ+ characters or themes. Its narrative is solely dedicated to the heterosexual romance and subsequent jealousy experienced by Charles Swann.
The movie does not contain any action or adventure elements.
The film adapts a section of Marcel Proust's novel "In Search of Lost Time." All major characters, including Charles Swann and Odette de Crécy, retain their original genders as established in the source material.
The film "Swann in Love" is an adaptation of a section of Marcel Proust's novel "In Search of Lost Time." The characters in the source material are consistently depicted as white Europeans, and the 1984 film's cast accurately reflects this, with no instances of characters being portrayed by actors of a different race.
Combines user and critic ratings from four sources