The space shuttle Churchill is assigned to observe Halley's Comet under the command of Colonel Tom Carlsen. They see a strange form attached to the comet and Carlsen goes with a team to investigate. They find three human...
The space shuttle Churchill is assigned to observe Halley's Comet under the command of Colonel Tom Carlsen. They see a strange form attached to the comet and Carlsen goes with a team to investigate. They find three human...
The film's central conflict revolves around an existential alien threat and human survival, which are largely apolitical sci-fi horror tropes. Its narrative does not explicitly promote or critique specific political ideologies, leading to a neutral rating.
The movie features primarily traditional casting with no explicit DEI-driven recasting of roles. Its narrative focuses on a science fiction horror plot without critiquing traditional identities or incorporating explicit DEI themes.
Lifeforce, a sci-fi horror film, primarily explores themes of alien vampirism and human survival. The narrative does not include any identifiable LGBTQ+ characters or explicitly address queer themes, resulting in no direct portrayal of LGBTQ+ identity or experiences within the story.
The film features a primary female alien antagonist whose method of incapacitating or defeating opponents is through a supernatural life-draining ability, not through direct physical combat such as hand-to-hand fighting or the use of melee weapons. No other female characters engage in or win physical combat against male opponents.
The film "Lifeforce" is an adaptation of the novel "The Space Vampires." All major characters, including the primary alien and the human protagonists, maintain the same gender as established in the original source material.
The film "Lifeforce" is an adaptation of the novel "The Space Vampires." A review of major characters from the source material and their portrayal in the film reveals no instances where a character's established race was changed.
Combines user and critic ratings from four sources