The Prestige (2006)
Bias Rating
Analyzing...
Leans Right
Viewer Rating
Rating: 7.8
Overview
In the end of the nineteenth century, in London, Robert Angier, his beloved wife Julia McCullough, and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert bla...
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Overview
In the end of the nineteenth century, in London, Robert Angier, his beloved wife Julia McCullough, and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert bla...
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Right
Primary
The film maintains a neutral stance by focusing on apolitical themes of individual obsession, rivalry, and the moral costs of ambition, rather than promoting or critiquing specific political ideologies.
The movie features a predominantly traditional cast, reflecting its historical setting, without any explicit race or gender swaps of established roles. The narrative centers on themes of rivalry and obsession, and does not incorporate explicit critiques of traditional identities or make DEI themes central to its storytelling.
Secondary
The film "The Prestige" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the intense rivalry between two male magicians and their heterosexual relationships, with no elements suggesting queer identity or experiences within its plot or character arcs.
The movie does not contain any action or adventure elements.
The film "The Prestige" is an adaptation of Christopher Priest's novel. All major characters, including Robert Angier, Alfred Borden, and Olivia Wenscombe, retain their established genders from the source material or historical record. No character canonically established as one gender is portrayed as a different gender.
The film adapts a novel where characters' races were not explicitly defined but were implicitly white, consistent with the historical setting. All major characters are portrayed by actors whose race aligns with the source material's implied depictions and historical figures.
Viewer Rating Breakdown
7.8
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
8.5
8.2
Critic Ratings
7.7
6.6
More Like This
Leans Right
7.9
Batman Begins
(2005)
Political: Leans Right
Diversity: Low
Race Swap: Yes
Leans Right
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Right
8.6
Memento
(2000)
Political: Center
Diversity: Low
Leans Right
8.0
Interstellar
(2014)
Political: Leans Right
Diversity: Moderate
Strong Right
6.8
Signs
(2002)
Political: Leans Right
Diversity: Low
Leans Right
6.5
We Bought a Zoo
(2011)
Political: Center
Diversity: Low
Leans Right
6.8
Public Enemies
(2009)
Political: Center
Diversity: Low
Leans Right
6.9
In Good Company
(2004)
Political: Center
Diversity: Low
Strong Right
8.4
Ford v Ferrari
(2019)
Political: Leans Right
Diversity: Low
Leans Right
8.0
The Fighter
(2010)
Political: Center
Diversity: Low
Leans Right
8.5
Dunkirk
(2017)
Political: Center
Diversity: Low
Strong Right
7.8
3:10 to Yuma
(2007)
Political: Leans Right
Diversity: Low
Leans Right
8.1
American Hustle
(2013)
Political: Center
Diversity: Low
Leans Right
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Right
6.8
The Reader
(2008)
Political: Center
Diversity: Low
Leans Right
7.4
Shutter Island
(2010)
Political: Center
Diversity: Low
Leans Right
7.3
Doubt
(2008)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Right
8.0
Zodiac
(2007)
Political: Center
Diversity: Low
Leans Right
7.7
A Beautiful Mind
(2001)
Political: Center
Diversity: Low
Leans Right
8.6
Eternal Sunshine of the Spotless Mind
(2004)
Political: Center
Diversity: Low