Erotic Ghost Story (1990)

Bias Rating

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Viewer Rating

Rating: 5.9

Overview

Three vixens have meditated for 1,000 years to able to shed their animal natures and become human. For the final month of their rigors, they have moved near a village where women pray to a god of fertility. One sister vi...

Starring Cast

Amy Yip • Hitomi Kudô • So Man

Bias Dimensions

Political: Center

Diversity: Moderate

LGBTQ: Positive

Overview

Starring Cast

Amy Yip • Hitomi Kudô • So Man

Detailed Bias Analysis

Analyzing...

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Primary

Political: CenterConfidence: High

Erotic Ghost Story is primarily a genre film exploring themes of desire, fate, and traditional folklore within a supernatural context, without explicitly promoting a specific political ideology or engaging in systemic critique.

Diversity: ModerateConfidence: Medium

This Hong Kong production features a cast predominantly of East Asian actors, which is natural for its origin and does not involve explicit DEI-driven casting or race/gender swaps of traditionally white roles. The narrative, typical of its genre, does not explicitly critique or promote traditional identities in a DEI context.

Secondary

LGBTQ: PositiveConfidence: Medium

Erotic Ghost Story features a central, passionate lesbian relationship between Lotus and Hsiao-tsui, depicted with genuine affection and emotional depth. Their bond is portrayed respectfully, with external supernatural forces, not their queer identity, driving the narrative's conflicts and tragic elements. The film ultimately affirms the worth and power of their love.

FemPower: N/R

The movie does not contain any action or adventure elements.

Gender Swap: NoConfidence: High

Erotic Ghost Story (1990) is an original film and not an adaptation of pre-existing source material with established characters, nor does it feature historical figures. All characters are new creations for this specific movie, thus precluding any gender swaps as defined.

Race Swap: NoConfidence: High

There is no evidence that "Erotic Ghost Story" (1990), a Hong Kong film, adapted any characters from source material or history where their race was canonically established as different from their on-screen portrayal. The film is presumed to feature characters whose race aligns with the local context.