While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
The film primarily focuses on individual romantic and personal transformation, consciously avoiding explicit political commentary or systemic critiques of class or social structures. Its fairytale narrative prioritizes apolitical themes of love and personal growth.
The movie features predominantly traditional casting without explicit race or gender swaps of main roles. Its narrative maintains a neutral to positive framing of traditional identities, focusing on a classic romantic comedy plot rather than incorporating explicit DEI themes or critiques.
Pretty Woman does not feature any identifiable LGBTQ+ characters or themes. The narrative centers entirely on heterosexual relationships and experiences, resulting in no portrayal of queer identity within the film's scope.
The movie does not contain any action or adventure elements.
Pretty Woman is an original screenplay, not an adaptation or reboot. All characters were created for this specific film, thus lacking any prior canonical or historical gender to be swapped from.
Pretty Woman is an original screenplay, not an adaptation of pre-existing material or a historical account. All characters were created for this film, thus lacking any prior canonical race to be swapped from.
Combines user and critic ratings from four sources