Michael ‘Jay’ Cochran has just left the Navy after 12 years and he's not quite sure what he's going to do, except that he knows he wants a holiday. He decides to visit Tiburon Mendez, a powerful but shady Mexican businessman who he once flew to Alaska for a hunting trip. Arriving at the Mendez mansion in Mexico, he is immediately surprised by the beauty and youth of Mendez’s wife, Miryea.
Michael ‘Jay’ Cochran has just left the Navy after 12 years and he's not quite sure what he's going to do, except that he knows he wants a holiday. He decides to visit Tiburon Mendez, a powerful but shady Mexican businessman who he once flew to Alaska for a hunting trip. Arriving at the Mendez mansion in Mexico, he is immediately surprised by the beauty and youth of Mendez’s wife, Miryea.
The film primarily explores apolitical themes of personal betrayal, honor, and individualistic revenge, focusing on the consequences of illicit passion and violent retribution rather than systemic critiques or ideological promotion.
The film features a cast with visible diversity, including a Latina lead and a prominent Mexican character, which aligns with the story's setting. However, the casting does not involve explicit race or gender swaps of traditionally white roles. The narrative primarily focuses on a personal drama of passion and revenge, without explicitly critiquing traditional identities or centering on overt DEI themes.
The film "Revenge" (1990), directed by Tony Scott, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on heterosexual relationships and a revenge plot, thus rendering the portrayal of LGBTQ+ elements as not applicable.
The movie does not contain any action or adventure elements.
The film "Revenge" (1990) is an adaptation of Jim Harrison's novella. All major characters, including Jay Cochran, Miryea Mendez, and Tiburon Mendez, maintain the same gender as established in the source material. There are no instances of characters being portrayed on screen with a different gender than their canonical or historical representation.
The film adapts a novella featuring Mexican characters. While some actors cast as these characters are of different ethnic backgrounds, there is no clear instance where a character canonically established as one distinct racial category (e.g., Black, Asian, Indigenous) is portrayed as a different race, adhering to the strict definition provided.
Combines user and critic ratings from four sources