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Combines user and critic ratings from four sources
As Soviet Russia enters the era of the New Economic Policy, Semyon Podsekalnikov decides to stop looking for a job. However, the prospect of living at the expense of his wife and mother-in-law seems unbearable. Having re...
As Soviet Russia enters the era of the New Economic Policy, Semyon Podsekalnikov decides to stop looking for a job. However, the prospect of living at the expense of his wife and mother-in-law seems unbearable. Having re...
The film offers a biting satire of Soviet totalitarianism, highlighting the suppression of individual freedom and the absurdity of state bureaucracy, which aligns with right-leaning critiques of government overreach and collectivism.
This film, a 1990 Soviet production, features traditional casting consistent with its cultural and historical context, without intentional race or gender swaps. Its narrative focuses on societal critique within the Soviet system, rather than explicitly addressing or critiquing traditional identities or making modern DEI themes central to its plot.
No information regarding LGBTQ+ characters or themes in the film 'Samoubiytsa' was provided, thus an evaluation of its portrayal is not possible.
The movie does not contain any action or adventure elements.
The film is an adaptation of Nikolai Erdman's play "The Suicide." All major and named characters in the film retain their original canonical gender as established in the source play. No instances of gender swapping were identified.
The film "Samoubiytsa" (1990) is an adaptation of Nikolai Erdman's 1928 Soviet play "The Suicide." Both the source material and the film portray characters as white, consistent with the original setting and context. No character's race was changed from the source material.
Combines user and critic ratings from four sources