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A veteran hitman, Dekker is ready to call it quits and leave the profession. His final job, however, proves to be trickier than expected when a sadistic man recruits the assassin to kill his wife, Jain, and their baby, but he can’t bring himself to do the job, complicating all of their lives.
A veteran hitman, Dekker is ready to call it quits and leave the profession. His final job, however, proves to be trickier than expected when a sadistic man recruits the assassin to kill his wife, Jain, and their baby, but he can’t bring himself to do the job, complicating all of their lives.
The film's central conflict revolves around a hitman's individual moral struggle and the possibility of personal redemption, which are largely apolitical themes focused on individual ethics rather than broader societal or political ideologies.
The movie features a Black actor in the leading role, contributing to visible diversity in the cast. Its narrative, however, primarily focuses on moral dilemmas within a crime thriller genre, without explicitly critiquing traditional identities or centering DEI themes.
The film "Diary of a Hitman" does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on the moral conflict of a contract killer and his target, with no elements related to queer identity or experiences present in the story.
The movie does not contain any action or adventure elements.
Diary of a Hitman (1991) is an adaptation of a play by the same writer. There is no evidence of characters being portrayed on screen with a different gender than their established gender in the source play, nor does it involve historical figures or legacy characters from other widely established canons.
Diary of a Hitman is an original film featuring characters created for this specific production. There is no prior source material, historical record, or previous installment to establish a canonical race for any character that could then be altered.
Combines user and critic ratings from four sources