A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding....
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding....
The film's core conflict centers on an individual's moral failings and the forced confrontation with his deceitful life. Its resolution champions individual responsibility and redemption through public confession, aligning with traditional moral frameworks.
The movie primarily features traditional casting in its lead roles, with diversity present in a significant supporting character. The narrative focuses on the personal moral failings of its white male protagonist, but this portrayal is character-specific rather than a broader critique of traditional identities or an explicit exploration of DEI themes.
The film "Phone Booth" is a thriller focused on a heterosexual protagonist's personal crisis. It does not feature any identifiable LGBTQ+ characters or themes, thus there is no portrayal to evaluate.
The movie does not contain any action or adventure elements.
Phone Booth is an original screenplay with characters created specifically for the film. There is no prior source material, historical figures, or legacy characters from which a gender swap could occur.
The film "Phone Booth" is an original screenplay, not an adaptation of existing material or a historical account. All characters were created for this specific film, meaning none had a pre-established canonical or historical race to be swapped.
Combines user and critic ratings from four sources