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Combines user and critic ratings from four sources
In the new Russia, former middle class citizens find themselves out in the dumps. Literally. They build homes, elect their own government, work, beg, scavenge, date and fight all while living in a huge city dump. Some tr...
In the new Russia, former middle class citizens find themselves out in the dumps. Literally. They build homes, elect their own government, work, beg, scavenge, date and fight all while living in a huge city dump. Some tr...
The film is a scathing satire that critiques systemic social inequality and bureaucratic indifference towards the marginalized, aligning with progressive values by highlighting the dehumanizing effects of an uncaring state.
This 1991 social satire features casting that is traditional and reflective of its regional demographics, without any explicit diversity initiatives. The narrative critiques societal issues and bureaucracy but does not focus on or negatively portray traditional identities in a manner consistent with modern DEI themes.
The Promised Heaven does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely focused on the struggles of homeless individuals in post-Soviet Russia, offering no depiction relevant to LGBTQ+ representation.
The movie does not contain any action or adventure elements.
The Promised Heaven is an original film by Eldar Ryazanov, not an adaptation or a reboot of pre-existing material. Therefore, its characters do not have a prior canonical or historical gender to be swapped from.
The Promised Heaven is an original film with characters created for this specific production. There is no prior source material, historical figures, or previous adaptations to establish a canonical race for its characters. Therefore, no race swap can be identified.
Combines user and critic ratings from four sources