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Growing up, solving problems of life, finding an own identity--these are the main issues the inhabitants of a neighborhood in Berlin are facing, while searching for individual life- and love-forms and dealing with diffic...
Growing up, solving problems of life, finding an own identity--these are the main issues the inhabitants of a neighborhood in Berlin are facing, while searching for individual life- and love-forms and dealing with diffic...
Gute Zeiten, schlechte Zeiten is a long-running soap opera primarily focused on apolitical, character-driven interpersonal drama and everyday life, rather than promoting a specific political ideology or engaging in systemic critiques. It consciously balances various viewpoints by presenting a wide array of characters with different backgrounds and beliefs.
Gute Zeiten, schlechte Zeiten features visible diversity in its extensive cast, reflecting a broad spectrum of society without explicitly recasting traditional roles. Its narrative integrates various social issues and diverse character experiences, but it does not center on explicit critiques of traditional identities.
Gute Zeiten, schlechte Zeiten has consistently featured LGBTQ+ characters and storylines over decades. While early depictions might have reflected societal norms of their time, the show has evolved to portray queer relationships and identities with increasing dignity, complexity, and integration, ultimately contributing to a net positive and affirming impact.
The movie does not contain any action or adventure elements.
Gute Zeiten, schlechte Zeiten is an original, long-running German soap opera. Characters are created and established within the show's own narrative, rather than being adapted from pre-existing source material or previous installments. Therefore, there are no instances of characters being portrayed with a different gender than their original canonical establishment.
As an original, long-running German soap opera, "Gute Zeiten, schlechte Zeiten" introduces new characters over time rather than adapting pre-existing ones from other media. Therefore, the concept of a character being canonically established as one race and then portrayed as another does not apply.
Combines user and critic ratings from four sources